So I don't know what's wrong with these little wasteman out here eh? Y'all need to know yourself. Scarborough ting from time, G, been have up di ting dem from time, G. Who you settlin' for, who better for you than the boy, huh? I’m actin' out in the open, it’s hard for you to ignore It seem like you don’t want this love anymore When you find out how I’m livin' I just hope I’m forgiven Learnin' the consequences of my selfish decisions Girl I felt like we had it all planned out, I guess I up the vision Remember our talk in the parking lot at the Ritz Know we were goin' through some name a couple that isn’t I've always been feelin' like she was the piece me The one that I needed was Courtney from Hooters on Peachtree When I could tell it was sincere without tryin' to prove it Landmarks of the muses that inspired the music Or Beverly Center Macy's where I discovered Bria Now it's therapeutic blowin' money in the Galleria Then she start tellin' me how I'll never be as big as Trey Songzīoy was she wrong, that was just negative energy for me to feed off Then we got to talkin' 'bout something we disagreed on Weak attempt at flexin', I'll never forget itĬause that night I played her three songs When I got Summer a Michael Kors with my momma's debit Or further back than that, before I had the Houston leverage Thinkin' 'bout Texas, back when Porscha used to work at Treasures Who you settlin' for? Who better for you than the boy, huh? I search for somethin' I'm missing and disappear when I'm boredīut girl, what qualities was I lookin' for before? You don't even know what you want from love anymore My mother is 66 and her favorite line to hit me with is Lookin' like you came from the 70's on your own You a flower child, beautiful child, I'm in your zone He said we should hash it out like a couple of grown ups We even talked about you and our couple of moments We might have rolled a white paper, just somethin' to hold us When he put that bottle down, girl that s amazin' We've been talkin' 'bout the future and time that we wasted Just me and my old man gettin' back to basics I've been dealing with my dad, speakin' of lack of patience I want to take it deeper than money, vacationĪnd influence a generation that's lackin' in patience I want to get back to when I was that kid in the basement Started realizin' a couple places I could take it I like when money makes a difference but don't make you different I look around the peers that surround me, these niggas trippin' Passive aggressive when we're textin', I feel the distance I needed to hear that I hate when you're submissive So what are you? What are you, what are you so afraid of?ĭarling you, you give but you cannot take love That's why you me, I know you been through more than most of us I love me, I love me enough for the both of us With them I don't get it, you're a star love We have a time frame between 11 (a.m.) and 1 (p.m.), approximately, that day, in which the firearms at times were unattended, so there was opportunity to tamper with this scene.Been a minute since we kicked it, you've been caught up We have people who had left the set, who had walked out because they were disgruntled. We know there was a live round in a box of dummy rounds that shouldn't have been there. "I think you can't rule anybody out at this point. Her music was and is apart of the soundscape/soundtrack of my life. Bowles lays the groundwork for Reed's defense: blackgroundMG Drake Timbaland MissyElliott RAD6 Dear Blackground, Drake, Timbaland, and Missy, This is my open letter to you, but mainly Blackground records. The pair also draws a line to six camera crew members who walked off the set prior to the incident. The weapons table was "completely unattended at all times, giving someone access and opportunity," allege lawyers Jason Bowles and Robert Gorence. Reed's lawyers spoke to the " Today" show on her behalf, suggesting that the presence of a live round in a box of dummy ammunition could be the result of sabotage. Baldwin, Halls, and "Rust" armorer Hannah Gutierrez-Reed (who was in charge of firearms during production) have all begun defending themselves to various degrees in the media as people ask who will be held responsible.
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Now, as the dust settles around the incident, questions are arising over how such a tragedy could occur, and how to prevent any more like it from happening. The director has since recovered, but Hutchins was pronounced dead at the hospital shortly after the shooting. At least one live round was in the chamber, which hit cinematographer Halyna Hutchins in the chest from just two feet away before striking director Joel Souza in the shoulder. On October 21st, actor Alec Baldwin discharged an on-set weapon while rehearsing for a scene on his film (which he also produces), "Rust." Assistant director Dave Halls states in a Sante Fe County police affidavit that he handed the firearm, a functional 1880s-era gun, to the actor and indicated that it was a "cold gun," meaning that it contained no live rounds. New updates have emerged in the fallout from last month's fatal shooting on the set of "Rust," claiming the life of a crewmember and injuring its director.
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